DESIGN VIEW: Pages from "On Feeble Love & Bitter Love"

ON FEEBLE LOVE & BITTER LOVE, a fresh annihilation/translation of Tzara's dada manifesto by  LA TIMES Book Award Finalist Gillian Conoley, published by Molotov Editions.  These pages are from the first edition, of 120 copies, signed and numbered, with individualized endplates hand glued into each copy, so each of these 40 page chapbooks is different.   Copies of this first edition are currently not available online, but only through CITY LIGHTS in San Francisco, and BOOK PASSAGE in Corte Madera.   If you'd like to get them signed in person, come to the March 15 Molotov Launch at Book Passage.   If there are any left over from the bookstore and personal sales, first edition may be made available online later.  In the meantime, you can  get the second edition online, but it does not have the invidualized endplates or the hand numbering.

Pachanga Music Bash @ People's Mansion, SF, for Los Cenzontles

Linda Ronstandt together with Molotov Author Robert Mailer Anderson co-hosted musical bash featuring David Hidalgo of Los Lobos and rocker Dave Alvin to benefit Los Cenzontles: a school of arts and culture for young people, with special focus on contemporary manifestations of native and ancient traditions in music and the arts with roots in Mexico and Latin America.  

Highlights below.  Photos by Beth Stansberry.

 

Los Cenzonteles Folk Band, using native instrumentation (see below)

Playing percusion on goat's jaw.

Playing percusson on goat's jaw.  Real goat, real jaw.

Linda Ronstandt with Eugene Rodriquez, co-founder and musical director of Los Cenzontles, a community school operating out of the  East Bay, in San Pablo and Richmond area for 20 years.  Linda is a long time supporter.  Los Cenzontles is a band, school, community hang out, and attracts musicians working in rock/polka/Cal-Tex-Mex traditoins to its Pachjanga jams from all over the country.   

Dave Alvin (of Border Radio fame) playing "Fourth of July" with David Hidalgo of Los Lobos  and Eugene Hernandez (right) and accordian player Flaco Jimenez (left). Pete Sears is on piano (Jefferson Starship). 

 During the later jam bassist Les Claypool, guitarist Jay Walsh and saxman Patrick Wolff (Patrick Wolff Trio) joined in.

Dancers.  

World Famous Molotov Editions Photographer Beth Stansberry with poet and translator Gillian Conoley (works including--among many others-- On Feeble Love & Bitter Love, a fresh annihilation of dada manifesto by Tristan Tzara--just released from the infinite vaults of Molotov Editions)

Robert Mailer Anderson on stage with daughter Frances singing vocals, with back-up from Dave Hidago of Los Lobos and Los Cenzonteles Pachanga Jam musicians

Genuine Victrola: wind-up device that plays early recordings surpisingly loud with no use of electricity whatsoever. A purely mechanical device from before the electric era which piped music into the room before the concert itself began. 

 

COLLABORATORS

Others piped in and dancing, wandering through the Pachanga dancing included the blessed and obscure, the divine and the bedridden, the holy and the forgotten, animals and dogs, some pictured above and others lost in the crowd: actors Edward James Olmos and Mykelti Williamson; sax player Joshua Redma; teachers and artists Lorena Oropeza and Astrid Rodriguez; former NAACP President Benjamin Jealous;  photographers Jim Goldberg and Allesandra Sanguinetti; , Paul Pelosi; Oscar Villalon (Zyzzva); Mary Ladd; Peter Marvelis (City Lights Books); Julie Lindow; Peter Kaufman; Gina of Miami (whose Chicago father is renowned Karate sensei), Gina's sister in the wild pink skirt; and variois members of the Anderson-Miner clan together with Molotov collaborators from Ukiah  to San Leandro who remain unidenitfied by design or happenstance in the shadows.  

//DS

WHITE DEVIL shortlisted for Hammett Prize

Domenic Stansberry's The WHITE DEVIL  has been shorlisted for the 2017 HAMMETT PRIZE... the annual award for best novel from the International Association of Crime Writers . . . Previous winners include Margaret Atwood, Stephen King, Alice Hoffman, George Pelecanos. . . . This year's finalists:

NOMINEES:
The Second Life of Nick Mason, by Steve Hamilton (G.P. Putnam's Sons)
The Drifter, by Nicholas Petrie (G.P. Putnam's Sons)
The White Devil, by Domenic Stansberry (Molotov Editions)
Revolver, by Duane Swierczynki (Mulholland Books)
The Big Nothing, by Bob Truluck (Murmur House Press)

The winner, tba in October, will receive the ThIn Man Trophy, designed by sculptor Peter Bolger

Read More

Inside Out(side): Hawley Hussey & Bill Brovold, Alleycat Gallery, SF

Hussey and Brovold juxtapose the outer and inner in SF Alleycat Gallery Show intermingling  Hussey's Hanging Botanicals with Brovold's Peephole Boxes and Magical Instruments.

Photo Domenic Stansberry

Photo Domenic Stansberry

Wildflower Botanical Paintings and Woodcuts: Hawley Hussey

Photo Domenic Stansberry

Photo Domenic Stansberry

Brovold's Peephole Boxes alongside Hussey's Wildflower Hangings.  The Peephole Boxes give glimpses into inner worlds: Backyard Croquet: Disco Constellations: Fred Flintstone Receding into Infinity.

LEFT BELOW: Musical Instrument: Hollowed Tree, Piano/Guitar Strings wiht Frets:  on wood stand played spontaneously with help of pivot device: Brovold  

(Photos: Domenic Stansberry)

RIGHT ABOVE Detail Botanical Painting, Hussey.  

LEFT TO RIGHT: Detail Wildflower Woodcut: Peephole into Hanging Room; Wildflower Painting: Marbles Rolling Down Strings in Hollow Tree Instrument

Opening Night at Alleycat Gallery, on 24th Street In San Francisco's Mission District, behind Alleycat Books.

DS:

 All photos Domenic Stansberry

Source: http://www.molotoveditions.com

DECEMBER NEWSLETTER: from Molotov Editions

News and reviews of Mololov Editions and our various endeavors, including our books, theatrical productions, and dada annihilations. 

 

REVIEWS:  THE WHITE DEVIL

 

Stansberry nails the sultry, decadent, and erotically charged tone with one perfectly placed hammer stroke after another.   Booklist (Bill Ott)

Perhaps the most surprising feature of this tour de force is its pervasive links to both Jacobean tragedy and contemporary Mediterranean noir. Who knew? --Kirkus

 Edgar-winner Stansberry takes the reader on a wild ride in this exceptional noir . . . compelling reading.   Publishers Weekly (Starred Review)

 Gripping from beginning to end, The White Devil is an unforgettable novel by an author at the height of his powers.   Foreword Reviews (Claire Foster)

Domenic Stansberry, author of The White Devil

Domenic Stansberry, author of The White Devil

 Anything but staid or predictable . . . keeps readers guessing, entertained, and thoroughly immersed.  Midwest Book Review

 With its down-to-the-bone, spare prose style, … and scenes that would not be out of place in a Fellini classic, The White Devil is quite simply perfect in its execution. UK Raven Crime

A really good book [and]  very haunting story . . .   Human nature is so bizarre sometimes, and here, its dark side is writ very large.  Crime Segments

 

ON STAGE: THE DEATH OF TEDDY BALLGAME

 

Since it’s publication by Molotov Editions in October—and with advance fanfare from Leah Garchik at the SF Chronicle—Robert Mailer Anderson’s new play, The Death of Teddy Ballgame, has been staged to jazz accompaniment, under the direction of Jon Moscone (former director Cal Shakespeare), at the Henderson Lab at the SF Jazz Center; at the Yerba Buena Center with Broadway actor and screen star Shiloh Fernandez; and in a one night staged reading forthcoming at the Clark Gallery.  All to packed houses, standing room only.   More news on future stagings as events unfurl.

 

DADA ANNIHILATION: ON FEEBLE LOVE & BITTER LOVE

 

Fresh translation/annihilation of Tzara’s famous dada manifesto by Gillian Conoley.  Published in limited edition on the occasion of the Dada World Fair in San Francisco, staged as benediction on opening day of the fair at City Lights.  Conoley is author of 8 books of poetry, LA Times Book Award Finalist for Peace,  translator of Henri Michaux’s A Thousand Times Broken.  Innovative in a fantastic way . . .. .  smart, talented, perceptive.  Huffington Post on Gillian Conoley

Source: http://www.molotoveditions.com/the-white-d...

Grapes of Wrath Revisited: Salinas, CA: Healthy Food Everywhere but on Table

Lettuce fields in California’s Salinas Valley, an area known as the salad bowl of the nation.CreditJim Wilson/The New York Times  

Lettuce fields in California’s Salinas Valley, an area known as the salad bowl of the nation.CreditJim Wilson/The New York Times

 

ARTICLE FROM THOMAS FULLER IN NOVEMBER 23, 2016  NYT describes poverty and malnutrion in Salinas Valley, once  home to John Steinbeck, author of dustbowl classic Grapes of Wrath.   

From the article:

The combination of high rents and low incomes — wages typically fall in the range of $10 to $15 an hour — leaves farmworkers with minimal and often inadequate money for food and is a contributor to the housing crisis in Salinas.

Homelessness has risen so steadily in recent years that the Salinas City Elementary School District now has a liaison for students without permanent housing.

Cheryl Camany, the school district’s homeless liaison, listed the types of dwellings where some farmworkers slept: “Tents, encampments, abandoned buildings,” she said. “They could be living in a toolshed, a chicken coop.”

Poverty and neglect among farmworkers is by no means new. Steinbeck, the valley’s most famous native son, wrote in the 1930s about the “curious attitude toward a group that makes our agriculture successful.”

“The migrants are needed, and they are hated,” he wrote, a sentiment that residents here feel has been revived with the election of Donald J. Trump as president and his promises to deport undocumented workers.

At a diabetes and nutrition awareness class held at a nursery school in King City, overweight women from farmworker families were given a barrage of statistics on the dangers of poor diets, especially those excessive in sugar.

“Two in five Americans will develop diabetes,” Lisa Rico, the instructor, told the class in Spanish. “But for us it’s one in two.”

 

 

Source: http://www.nytimes.com/2016/11/23/us/in-a-...

California/Mississippi Poverty Rates

This chart is 2013, but the economic divide, between rich and poor, has increased in California, and the housing adjusted poverty rate has climbed to 27%, worse for seniors and children's and minorities.  States like California, New York, Florida, Texas--which do not rank as badly using traditional measures-- turn out to have much higher poverty rates, among the worst in the nation, when adjusted for cost of living.  There are similar problems, in California, in regards to public schooling.   The US government has recently begun to adjust poverty rankings based on cost of living, this you will see conflicting figures from the government itself, between 16 and 27%, with the United way putting the figure in the low 30 percentiles.   DS 

calmisspovrates
Source: http://www.huffingtonpost.com/2013/11/07/c...

IN A LONELY PLACE: Dorothy Hughes

CRIME SEGEMENTS takes a backwards glance at both the book and movie, both noir classics, though with very different conceptions of the main character.

"It was good standing there on the promontory overlooking the evening sea, the fog lifting itself like gauze veils to touch his face.  There was something in it akin to flying, the sense of being lifted high above crawling earth, of bingprt of th wildnss of sir.  Something too of being closed within an unknown and strange world of mist and cloud and wind.   He’d liked flying at night; he missed after the way had crashed to and finsih and dribbled to an en.  It wasn’t the same fluing a little private create.  He’d tried it; it was like returning to the stone ax after precision tools.  He had found nothing yet to take the place of flying wild."  OPENING PARAGRAPH IN A LONELY PLACE, Dorothy Hughes, 1942.  Reissued by The Feminist Press, 2002   
Source: http://www.crimesegments.com/2016/11/and-b...

DADA BORDELLO

Dada Bordello, penultimate night of Dada World's Fair, Oddfellows Home, San Francisco. 

Source: http://www.molotoveditions.com/

EXIT PARADISE #2: BAY AREA POVERTY SHIFTS TO SUBURBIA

“We’re dispersing the low-income population into places where hard infrastructure and social services are either nonexistent or inefficient,” said Tony Roshan Samara, program director of land use and housing at the Oakland nonprofit Urban Habitat. “We are seeing the next chapter in the story of segregation: low-income people in the suburbs and more affluent people in the urban core.”

“We’re dispersing the low-income population into places where hard infrastructure and social services are either nonexistent or inefficient,” said Tony Roshan Samara, program director of land use and housing at the Oakland nonprofit Urban Habitat. “We are seeing the next chapter in the story of segregation: low-income people in the suburbs and more affluent people in the urban core.”

Source: http://www.sfchronicle.com/bayarea/article...

From Jay Gertzman at CrimeSpree Magazine

 

DAVID GOODIS: THE KAFKA OF EAST OAK LANE

POSTED BY JAY A GERTZMAN ON SEP 13, 2016 IN BOOKSESSAY

That David Goodis is “the poet of the losers,” and that his universe is as cold as the frosty sleet-driven winds of Philadelphia’s November, has been eloquently stated. In his room in his parents’ comfortable house in East Oak Lane, he could write about his own city, its wintry street corners opening out onto block after block of uniform row houses, its gutters reflecting moonlight from the other side of the universe. Bad luck often drove his protagonists to the parts of the city most open to, and most challenging to their suffering and the need to deal with it. From beginning to end of his career, Goodis used the devices of popular hard-boiled, melodramatic pulp fiction. Like many modern novelists, he retells his story time after time.

 

 

Source: http://crimespreemag.com/david-goodis-the-...

HITLER ONLY KIDDING ABOUT ANTI-SEMIITISM, NY TIMES, 1922

"Several reliable, well-informed sources confirmed the idea that Hitler's anti-Semitism was not so genuine or violent as it sounded, and that he was merely using anti-Semitic propaganda as a bait to catch masses of followers and keep them aroused, enthusiastic, and in line for the time when his organization is perfected and sufficiently powerful to be employed effectively for political purposes."

"You can't expect the masses to understand or appreciate your finer real aims. You must feed the masses with cruder morsels and ideas like anti-Semitism. It would be politically all wrong to tell them the truth about where you really are leading them."

"When someone shows you who they are, believe them the first time."

-Maya Angelou

Source: http://boingboing.net/2016/11/11/hitlers-o...